Introduction As Nigeria prepares for the 2027 general elections, national conversations are already dominated by familiar patterns of political strategy. Within Nigeria’s evolving democratic framework, promises are frequently made and political affiliations shift, reflecting the dynamic nature of party politics. To fully comprehend this environment, it is valuable to move beyond standard political analysis and consider alternative frameworks for understanding Nigeria's situation. Drawing an analogy with the classic film The Thief of Bagdad , one can observe themes of contested power, challenges to legitimate authority, and widespread uncertainty among citizens. As another electoral cycle approaches, it is important to critically evaluate whether current events reflect a genuine democratic process or echo past instances of political manoeuvrings. The Grand Viziers: Sorcery and State Capture In the film, the Grand Vizier Jaffar is not merely a minister; he is a usurper who uses...
The dust of Rome’s collapse had barely settled when St. Augustine of Hippo penned his monumental work, The City of God. His aim was to explain that humanity is divided not by borders, but by the ultimate object of its love: God or self. Fast forward over 1,500 years, and one might find an unexpected echo of Augustine’s profound dichotomy in the vibrant, sometimes clashing, social currents of Nigeria: the "City Boys" and the "Village Boys" movements. While Augustine’s cities are spiritual allegories, they offer a powerful framework to understand the contrasting philosophies, aspirations, and values at play in these contemporary Nigerian phenomena. The "City Boys": Echoes of the Civitas Terrena (City of Man) The "City Boys" movement, often characterized by its association with urban sophistication, modern trends, and often a visible display of success, resonates uncannily with Augustine's Civitas Terrena, the City of Man. Love of Self a...